NOVELTY

Bratislavia. Casting theater, Seville

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By AndaluNet on 08/03/2017

From 6 to the 8 April 2017
At 20:30 hours
Sevilla Foundry Theater
Comedy

Bratislavia. Casting theater, Seville

A comedy taken to the extreme of emotions. A party, a feast of extremely scatological and fun weddings the viewer is invited.

THE THEATER TARARA (Seville)
SCENARIOS Prize SEVILLA 2016 company disclosure

BRATISLAVIA1920. Trushka is a pregnant girl living with her mother and a maid who cares at all times. She is forced to marry Mr. Darcy by imposing his mother, a wealthy gentleman who intends to alienate the young from family and friends. Apparently the plan is perfect, However, the day of your wedding, Trushka feel greatly pressured by the situation, up to explode in pain at her mother, confessing everything you never dared to tell her about his feelings and sexuality. Everything is complicated with the entry of Mr. Darcy, the evil suitor hired by his mother. Finally, desperate young, She enlists the help of his family, who give in to despair, supporting him in his desire not to be a mother and not marry Mr. Darcy, practicándole an express abortion in the bridal room.

Behind this, history charged a surreal and wild tone, unable to leave the viewer indifferent.

TEXT AND ADDRESS: Teatro La Tarara | PERFORMERS: Marie Delgado (Trushka), Carmen Boza (Created) and Carlos Agudo (Mother) | SCENIC SPACE AND LIGHTING: Jose W Paredes | CLOTHING AND CHARACTERIZATION: Ana Rocío Dávila

"Bratislava" is a reflection of social cruelty to which many girls undergo incomprendidas, either because of their sexual orientation or their way of life. Maternity panic felt by some women and fear thinking about the possibility of engendering a monster, engine serve to create this staging. Following the path of Artaud, with his Theater of Cruelty, "Bratislava" intends to stage the innards of a very flawed characters who show their humanity at all times and ridiculousness, leaving open the closure between the grotesque and deformed, as well as beauty and aesthetics. There is also a constant presence of death Theater, whose greatest exponent is the Polish director Tadeusz Kantor, specialized in creating dark images and recreate a body language based on the decomposition of the body, the face and voice.

Learn more: www.fundiciondesevilla.es