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Shakespeare, Titus Andronicus – Foundry Sevilla room
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Thursday 23, Friday 24 and Saturday 25 February 2017
Time: 20:30 h.
CAST OF SEVILLE. Mint, C / Habana -Seville
http://www.fundiciondesevilla.es
The true roots of human violence, their actions and consequences.
AC THEATER / GNP CULTURALES (Seville)
Titus Andronicus, the great Roman general, He returns victorious to Rome after a long war against the Goths, in which he has lost almost all her children, except three (Lucio, Marcio and Mutius). Tito, to celebrate the ceremony in honor of the victory, It makes a human sacrifice of an enemy prisoner: for it chooses Alarbo, Tamora's eldest son, Queen of the Goths village, which will become new empress of Rome chosen by Saturnino, the successor to the recently deceased Emperor. Taking advantage of their new situation, Tamora deceives Saturnino to inflict misery series of Tito. Snatches two children, maim a daughter and you are forced to cut his hand. Lucio began a revolt against the Emperor, who agrees to talk to him. Tito apresa the remaining son of Tamora, cooks and serves dinner. Al final, Tito kills his daughter to avoid dishonor to continue living without hands or tongue and kills Tamora. In the fracas that happens die Tito and elemperador. Lucio is crowned emperor and the slave condemned to die Tamora, who he is considered instigator of all the evils committed by his mistress.
VERSION AND ADDRESS: Adolfo Carmona | DISTRIBUTION: José Chaves, Néstor Barea, Mar Garrido, Sergio Martín, Ana Perea, David Herrero, Manu Jimenez and Benjamín Lozano |
MANAGEMENT AND ADVISER IN TEXT : Roberto Quintana | VOCAL ADDRESS: Patricia Díaz | MUSIC: Fran Ramirez | ILLUMINATION: Adolfo Carmona | SCENOGRAPHY: Toñi Parrales and Marina Obrado | LOCKER ROOM: Pablo Miguel García
The play is set in the last years of the Roman Empire and tells the story of a fictional character, Titus Andronicus, legacy (general) the Roman army and Tamora, Queen of the Goths. It is the bloodiest and violent work of the author.
This work aims to arouse the viewer ACTEATRO passivity of our time at the horror and barbarism that every day shows the media of our civilization. Tito is not a refined and harmless story, but one that through the loaded images of poetry encloses the horror of human tragedy, requiring us to examine the true roots of human violence and judge their actions and consequences.